Octave Feuillet (11 July 1821 – 29 December 1890) was a French novelist and dramatist. His work stands midway between the romanticists and the realists.
Born~Died Aug 11, 1821 ~ Dec 29, 1890Last edited Oct 15, 2026, 2:27 PM
Octave Feuillet (11 July 1821 – 29 December 1890) was a French novelist and dramatist.12 His work stands midway between the romanticists and the realists. He is renowned for his "distinguished and lucid portraiture of life",3 depictions of female characters, analyses of characters' psychologies and feelings, and his reserved but witty prose style. His most popular work remains his 1858 novel Le Roman d'un jeune homme pauvre (The Story of a Poor Young Man), which has been adapted for film many times by Italian, French, and Argentinian directors.
Biography
Feuillet was born at Saint-Lô, Manche (Normandy). His father, Jacques Feuillet, was a prominent lawyer and Secretary-General of La Manche, but also a hypersensitive invalid. His mother died when he was an infant. Feuillet inherited some of his father's nervous excitability, though not to the same degree. He was sent to Lycée Louis-le Grand in Paris, where he achieved high distinction, assuring him of a good post in the diplomatic service.3
In 1840 he rejected his father's longtime wish that he be a diplomat and told him he planned to be a writer instead. His father disowned him. Octave Feuillet returned to Paris and lived as best he could by becoming a journalist. He collaborated with Paul Bocage on the plays Echec et mat,Palma, ou la nuit de Vendredi saint, and La Vieillesse de Richelieu. His father forgave him three years later and granted him an allowance, giving him a comfortable existence while he remained in the capital. There he wrote his first novels and got them published.
Jacques Feuillet's health declined further, and he summoned his son to care for him at Saint-Lô. It was a real sacrifice to leave Paris and the outlet it gave Octave Feuillet for his career, but he obeyed. His father's mania for solitude and tyrannical temper made life in Saint-Lô very stressful. However, in 1851, Octave married his cousin , who was also a writer. During what he considered his "exile" in Saint-Lô, Feuillet produced some of his best work. His first major success came in 1852, when he published the novel and produced the comedy . Both were reprinted from the , where many of his later novels also appeared. Other acclaimed works written in Saint-Lô were (1857), (1857), and the popular (1858).
This page is based on “Octave Feuillet” from English Wikipedia, (r1377734063) CC BY-SA 4.0 used under the license. The original authors are listed in its page history.
Seemingly repeating his father's life, Feuillet himself grew ill at Saint-Lô with a more severe nervous condition, but his wife and mother-in-law helped sustain him. In 1857, he was able to return to Paris for a brief period to oversee the rehearsal of a play he had adapted from his novel Dalila. The following year, he did the same when Un jeune homme pauvre was rehearsing. While he was in the capital, his father died.
Feuillet and his family immediately moved to Paris, where he became a favorite at the court of the Second Empire. His pieces were performed at Compiègne before they were given to the public, and on one occasion the Empress Eugénie played the part of Madame de Pons in Les Portraits de la Marquise.3
In 1862 he achieved another great success with his novel Sibylle. His health, however, had begun to decline, further impacted by the death of his eldest son. He returned to the quiet of Normandy but not to the Feuillet family chateau, which had been sold years earlier. He bought a house called Les Paillers in the suburbs of Saint-Lô, where he lived, hidden among the numerous rosebushes and their blooms that obsessed him, for fifteen years.3
Honors, final years, and death
In 1862, Feuillet was elected to the Académie française. Two years later he was made librarian of Fontainebleau Palace, where he had to live for a month or two each year to get the stipend accompanying the position.3 He was appointed an Officer of the Legion of Honour in 1863.
In 1867 he produced his masterpiece, Monsieur de Camors, and in 1872 he wrote Julia de Trécœur. 1886 saw the publication of La Morte, to which influential literary critic Walter Pater devoted a chapter of praise and analysis in his 1889 essay collection, Appreciations.4 After the sale of Les Paillers, Feuillet spent his last years as a nomad owing to depression and other health problems.3 Not long after the publication of his final book, Honneur d'artiste, he died in Paris on 29 December 1890.
Pater, Walter (1889). Appreciations (Library Edition). London: Macmillan and Co. (published 1918). pp. 219–240. ↩
Octave Feuillet (11 July 1821 – 29 December 1890) was a French novelist and dramatist.12 His work stands midway between the romanticists and the realists. He is renowned for his "distinguished and lucid portraiture of life",3 depictions of female characters, analyses of characters' psychologies and feelings, and his reserved but witty prose style. His most popular work remains his 1858 novel Le Roman d'un jeune homme pauvre (The Story of a Poor Young Man), which has been adapted for film many times by Italian, French, and Argentinian directors.
Biography
Feuillet was born at Saint-Lô, Manche (Normandy). His father, Jacques Feuillet, was a prominent lawyer and Secretary-General of La Manche, but also a hypersensitive invalid. His mother died when he was an infant. Feuillet inherited some of his father's nervous excitability, though not to the same degree. He was sent to Lycée Louis-le Grand in Paris, where he achieved high distinction, assuring him of a good post in the diplomatic service.3
In 1840 he rejected his father's longtime wish that he be a diplomat and told him he planned to be a writer instead. His father disowned him. Octave Feuillet returned to Paris and lived as best he could by becoming a journalist. He collaborated with Paul Bocage on the plays Echec et mat,Palma, ou la nuit de Vendredi saint, and La Vieillesse de Richelieu. His father forgave him three years later and granted him an allowance, giving him a comfortable existence while he remained in the capital. There he wrote his first novels and got them published.
Jacques Feuillet's health declined further, and he summoned his son to care for him at Saint-Lô. It was a real sacrifice to leave Paris and the outlet it gave Octave Feuillet for his career, but he obeyed. His father's mania for solitude and tyrannical temper made life in Saint-Lô very stressful. However, in 1851, Octave married his cousin Valérie Dubois, who was also a writer. During what he considered his "exile" in Saint-Lô, Feuillet produced some of his best work. His first major success came in 1852, when he published the novel Bellah and produced the comedy La Crise. Both were reprinted from the Revue des deux mondes, where many of his later novels also appeared. Other acclaimed works written in Saint-Lô were La Petite Comtesse (1857), Dalila (1857), and the popular Le Roman d'un jeune homme pauvre (1858).3
Seemingly repeating his father's life, Feuillet himself grew ill at Saint-Lô with a more severe nervous condition, but his wife and mother-in-law helped sustain him. In 1857, he was able to return to Paris for a brief period to oversee the rehearsal of a play he had adapted from his novel Dalila. The following year, he did the same when Un jeune homme pauvre was rehearsing. While he was in the capital, his father died.
Feuillet and his family immediately moved to Paris, where he became a favorite at the court of the Second Empire. His pieces were performed at Compiègne before they were given to the public, and on one occasion the Empress Eugénie played the part of Madame de Pons in Les Portraits de la Marquise.3
In 1862 he achieved another great success with his novel Sibylle. His health, however, had begun to decline, further impacted by the death of his eldest son. He returned to the quiet of Normandy but not to the Feuillet family chateau, which had been sold years earlier. He bought a house called Les Paillers in the suburbs of Saint-Lô, where he lived, hidden among the numerous rosebushes and their blooms that obsessed him, for fifteen years.3
Honors, final years, and death
In 1862, Feuillet was elected to the Académie française. Two years later he was made librarian of Fontainebleau Palace, where he had to live for a month or two each year to get the stipend accompanying the position.3 He was appointed an Officer of the Legion of Honour in 1863.
In 1867 he produced his masterpiece, Monsieur de Camors, and in 1872 he wrote Julia de Trécœur. 1886 saw the publication of La Morte, to which influential literary critic Walter Pater devoted a chapter of praise and analysis in his 1889 essay collection, Appreciations.4 After the sale of Les Paillers, Feuillet spent his last years as a nomad owing to depression and other health problems.3 Not long after the publication of his final book, Honneur d'artiste, he died in Paris on 29 December 1890.