Edward Blore (13 September 1787 – 4 September 1879) was an English landscape and architectural artist, architect and antiquary.
Early career
Blore was born in Derby, the son of the antiquarian writer Thomas Blore.1
Blore's background was in antiquarian draughtsmanship rather than architecture, in which he had no formal training. Nevertheless, he designed a large palace for Prince Mikhail Semyonovich Vorontsov in Alupka, Crimea, and important ecclesiastical furnishings designed by him included organ cases for Winchester Cathedral and Peterborough Cathedral (the Peterborough case since removed) and the choir stalls in Westminster Abbey. Charles Locke Eastlake, writing in 1872, believed that he had been apprenticed to an engraver,2 but other sources dispute this.3 He illustrated his father's History of Rutland (1811), and over the next few years he made the drawings of York Minster and Peterborough Cathedral and measured drawings of Winchester Cathedral for John Britton's English Cathedrals, and drew architectural subjects for various county histories.1 In 1816 he was introduced to Walter Scott and worked with William Atkinson on the design of Abbotsford House near Galashiels in Scotland. In around 1822 Blore supplied the illustrations to 's . In 1823 he toured Northern England, making drawings for a work called the . It was issued in parts with text by the Rev. , and completed in 1826. Blore engraved many of the plates himself.
This page is based on “Edward Blore” from English Wikipedia, (r1350691814) CC BY-SA 4.0 used under the license. The original authors are listed in its page history.
In 1826, he was appointed Surveyor of the Fabric of Westminster Abbey.6 The following year he was engaged to furnish plans for the chancel fittings of Peterborough Cathedral. Shortly afterwards he was employed to restore Lambeth Palace, then in a state of near ruin. His work there included the construction of a fire-proof room for the preservation of manuscripts and archives.7
Eastlake praised Blore's careful detail in his work at Westminster Abbey, adding "this was, in short, his great forte. He had studied and drawn detail so long and zealously that its design came quite naturally to him, and in this respect he was incomparably superior to his contemporaries".8
Later career
Blore is most notable for his completion of John Nash's design of Buckingham Palace. Following Nash's dismissal, he completed the palace in a style similar to but plainer than that intended by Nash. In 1847, Blore returned to the palace and designed the great facade facing The Mall thus enclosing the central quadrangle. He also worked on St James's Palace in London, and a large number of other designs in England and Scotland, including restoring the Salisbury Tower at Windsor Castle.
Blore was a personal friend of Sir Walter Scott, having been introduced by Daniel Terry,3 and like Scott was interested in the baronial architecture of Scottish castles. This led to Prince Vorontsov's invitation to design his extensive Vorontsov Palace in Alupka, Crimea. The Alupka palace was built between 1828 and 1846, in a mixture of styles ranging from Gothic Revival to Moorish Revival. The palace's guidebook describes the building as "Blore's tribute to Muslim architecture". The structure features two façades, contrasting "the starkness of Scottish Baronial on its landward side with Arabian fantasy facing the sea".9
As a recognised establishment architect, Blore was involved in many projects related to the British Empire; this included Government House in Sydney, Australia, which he designed in 1834 in the form of a Gothic castle. Such designs were unusual and display a more adventurous side to Blore's work than can be seen from his work in London. His East front, the public face, of Buckingham Palace was criticised from the moment of its completion as banal street architecture, a view shared by King George V who had the façade redesigned by Sir Aston Webb in 1913. Around 1840 Blore was possibly responsible for alterations at Wythenshawe Hall in Manchester.10
Edward Blore (13 September 1787 – 4 September 1879) was an English landscape and architectural artist, architect and antiquary.
Early career
Blore was born in Derby, the son of the antiquarian writer Thomas Blore.1
Blore's background was in antiquarian draughtsmanship rather than architecture, in which he had no formal training. Nevertheless, he designed a large palace for Prince Mikhail Semyonovich Vorontsov in Alupka, Crimea, and important ecclesiastical furnishings designed by him included organ cases for Winchester Cathedral and Peterborough Cathedral (the Peterborough case since removed) and the choir stalls in Westminster Abbey. Charles Locke Eastlake, writing in 1872, believed that he had been apprenticed to an engraver,2 but other sources dispute this.3 He illustrated his father's History of Rutland (1811), and over the next few years he made the drawings of York Minster and Peterborough Cathedral and measured drawings of Winchester Cathedral for John Britton's English Cathedrals, and drew architectural subjects for various county histories.1 In 1816 he was introduced to Walter Scott and worked with William Atkinson on the design of Abbotsford House near in Scotland. In around 1822 Blore supplied the illustrations to 's . In 1823 he toured Northern England, making drawings for a work called the . It was issued in parts with text by the Rev. , and completed in 1826. Blore engraved many of the plates himself.
In 1826, he was appointed Surveyor of the Fabric of Westminster Abbey.6 The following year he was engaged to furnish plans for the chancel fittings of Peterborough Cathedral. Shortly afterwards he was employed to restore Lambeth Palace, then in a state of near ruin. His work there included the construction of a fire-proof room for the preservation of manuscripts and archives.7
Eastlake praised Blore's careful detail in his work at Westminster Abbey, adding "this was, in short, his great forte. He had studied and drawn detail so long and zealously that its design came quite naturally to him, and in this respect he was incomparably superior to his contemporaries".8
Later career
Blore is most notable for his completion of John Nash's design of Buckingham Palace. Following Nash's dismissal, he completed the palace in a style similar to but plainer than that intended by Nash. In 1847, Blore returned to the palace and designed the great facade facing The Mall thus enclosing the central quadrangle. He also worked on St James's Palace in London, and a large number of other designs in England and Scotland, including restoring the Salisbury Tower at Windsor Castle.
Blore was a personal friend of Sir Walter Scott, having been introduced by Daniel Terry,3 and like Scott was interested in the baronial architecture of Scottish castles. This led to Prince Vorontsov's invitation to design his extensive Vorontsov Palace in Alupka, Crimea. The Alupka palace was built between 1828 and 1846, in a mixture of styles ranging from Gothic Revival to Moorish Revival. The palace's guidebook describes the building as "Blore's tribute to Muslim architecture". The structure features two façades, contrasting "the starkness of Scottish Baronial on its landward side with Arabian fantasy facing the sea".9
As a recognised establishment architect, Blore was involved in many projects related to the British Empire; this included Government House in Sydney, Australia, which he designed in 1834 in the form of a Gothic castle. Such designs were unusual and display a more adventurous side to Blore's work than can be seen from his work in London. His East front, the public face, of Buckingham Palace was criticised from the moment of its completion as banal street architecture, a view shared by King George V who had the façade redesigned by Sir Aston Webb in 1913. Around 1840 Blore was possibly responsible for alterations at Wythenshawe Hall in Manchester.10